My concierge has been making herself more and more visible lately which 
can only mean one thing. Actually, two things: the building's lobby is 
perpetually being cleaned, and it is the moment for the annual étrennes. 
Les étrennes, or strenae as the Romans liked to call them, is cash 
given at the end of the year to service personnel. My evenings are currently 
interrupted by knocks on the door by the Firemen (who, in exchange for their 
cash, gave me a sexy Firemen 2013 calendar), garbage collectors (no token 
offering given, thankfully), the Postman (old La Poste calendars are seen 
by some as collector's items) and sewer-cleaners (just take my money and go 
away...please).
The envelope given to the concierge (now called la 
gardienne, a more politically-correct title) is a sizeable one. Although 
fewer and fewer Parisian apartment buildings maintain a fulltime 
gardienne, (the cost of her salary and housing is borne by the building's inhabitants and it is now cheaper to outsource her duties), those of us who have an onsite 
gatekeeper know that it is in our interest to stay on her good side. Flowers, 
wine, chocolates-- while nice gestures (and never refused throughout the 
year)--these won't do it. You have to give her cash and a fat wad of it. If you 
neglect to slip her these alms, you can be sure that your mail will go astray, 
your guests will be directed to the wrong floor when they come to visit, your 
garbage will not be taken out with the rest of the building's and your Fedex 
deliveries refused. Les gardiennes are frequently uneducated and often 
barely literate, but they are powerful players in the neighborhood. They know 
everything--"être concierge" means to be a gossip--and will make your life 
miserable if you don't pay them handsomely.
Traditionally Portuguese, 
with the job handed down through family or word-of-mouth, my gardienne is 
French, which makes her a rarity. Still, she personifies the concierge 
mentality, with her loge, or dwelling, filled with kitchy bibelots 
and beaded curtains. She spends much of her time talking with the older people 
in the complex, complaining about various building-related incidents (the latest 
being fingerprints on the brass banisters). She seems to have 
her eyes everywhere and holds on to potent information like an 
embittered wife.
Still, with the absolution offered by the annual giving 
of the étrennes, the odometer gets set back to zero. That noisy party I 
held over the summer? That cardboard box I neglected to flatten before putting 
it in the garbage can? The joyful sounds my children make as they enter the lobby? A thick envelope of crisp new bills and all will be forgiven. For 
this year, at least.
jeudi 20 décembre 2012
Culture-specific dreams
My youngest likes to tell us her dreams at the breakfast table. They are 
complicated, as dreams tend to be, especially when recounted by a child. They 
often feature castles. Today she spoke of a menacing lavoir, a communal 
washing hut which was central social point of France's villages centuries ago. 
There was one in the town where her grandparents' country house was, and the girls loved to 
catch tadpoles in the stagnant water there. It still shows up in her dreams from 
time to time.
I also dreamt of castles as a child. But mine were castles out of fairy tales, unseen in waking life. My children grew up in the shadow of Versailles. They walk through the Louvre, touch the archways of the Palais du Luxembourg as they rollerblade through its arcades. For them, there is nothing unremoved about the markers of nobility. They live in its vestiges and its archetypes appear, unremarkable, in their dreams.
I also dreamt of castles as a child. But mine were castles out of fairy tales, unseen in waking life. My children grew up in the shadow of Versailles. They walk through the Louvre, touch the archways of the Palais du Luxembourg as they rollerblade through its arcades. For them, there is nothing unremoved about the markers of nobility. They live in its vestiges and its archetypes appear, unremarkable, in their dreams.
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